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SCG Witchery
(opens in a new tab)Authentic witchcraft spells through professional diagnosis.
SCG Witchery offers custom ritual work, spell casting, and spiritual consultation for serious clients seeking real results. 19+ years of documented practice. Visit scgwitchery.com
This is a modern ritual incantation formulated in the style of Old Norse galdr incantatory magic and seidr lore. It functions as an Odinic self-identification and binding formula, adapting key stanzas from the Poetic Edda, specifically the Havamal Runatal and Ljodatal sections.
The opening establishes identity through the names and linguistic evolution of Odin: Odinn in Old Norse, Wodan in West Germanic or Old High German, and Allfodr meaning Allfather. The progression from I was to I am invokes the continuum of the archetype.
The second part calls upon Odin's essential mythic extensions to witness the rite: the ravens Huginn representing thought and Muninn representing memory, the spear Gungnir, and the world tree Yggdrasill. The verbs declare the fourfold act of runic craft: gala meaning to chant, rista meaning to carve, rjoda meaning to redden with pigment, and bindi meaning to bind.
The middle sections adapt Havamal stanzas 138 and 139. They recount the mythological self-sacrifice where Odin hung on the windswept tree for nine nights, wounded by a spear, dedicated self to self, seizing the runes in an ecstatic state of agony and illumination.
The chant then focuses on the Ansuz or Os rune, representing divine breath, speech, and sovereignty. Chanting Ansuz ansuz ond charges the verbal work through breath and vocal projection.
Next, it invokes Odin through several traditional by-names: Har, Jafnhar, and Thridi meaning High, Just-as-High, and Third from Gylfaginning, alongside Grimnir the Masked One, Bolverkr the Bale-worker, Baleygr the Flaming-eyed, and Gangleri the Wanderer.
The following lines reference the eighteen magical songs from the Ljodatal in the Havamal, which cover spells for healing, victory, and necromancy.
The conclusion sends the charm into the wind, blood, bone, and name. It closes with the binding seal Sva skal vera meaning So shall it be, locking the working in the pres#SCGWitcheryc#Odin##Gáldará#occultc#galdara#occultknowledgel#occultknowledgeledge🗿
The opening establishes identity through the names and linguistic evolution of Odin: Odinn in Old Norse, Wodan in West Germanic or Old High German, and Allfodr meaning Allfather. The progression from I was to I am invokes the continuum of the archetype.
The second part calls upon Odin's essential mythic extensions to witness the rite: the ravens Huginn representing thought and Muninn representing memory, the spear Gungnir, and the world tree Yggdrasill. The verbs declare the fourfold act of runic craft: gala meaning to chant, rista meaning to carve, rjoda meaning to redden with pigment, and bindi meaning to bind.
The middle sections adapt Havamal stanzas 138 and 139. They recount the mythological self-sacrifice where Odin hung on the windswept tree for nine nights, wounded by a spear, dedicated self to self, seizing the runes in an ecstatic state of agony and illumination.
The chant then focuses on the Ansuz or Os rune, representing divine breath, speech, and sovereignty. Chanting Ansuz ansuz ond charges the verbal work through breath and vocal projection.
Next, it invokes Odin through several traditional by-names: Har, Jafnhar, and Thridi meaning High, Just-as-High, and Third from Gylfaginning, alongside Grimnir the Masked One, Bolverkr the Bale-worker, Baleygr the Flaming-eyed, and Gangleri the Wanderer.
The following lines reference the eighteen magical songs from the Ljodatal in the Havamal, which cover spells for healing, victory, and necromancy.
The conclusion sends the charm into the wind, blood, bone, and name. It closes with the binding seal Sva skal vera meaning So shall it be, locking the working in the pres#SCGWitcheryc#Odin##Gáldará#occultc#galdara#occultknowledgel#occultknowledgeledge🗿
This happens more often than people know. Anyone can fail to see the signs. Don't blame yourself.
Witches, practitioners, and occultists, I have a question for you.
What is one piece of witchcraft advice you were taught early on that you eventually realized was completely wrong?
Maybe you were told every spell requires a specific moon phase.
Maybe somebody insisted there was only one "correct" way to cast a circle.
Maybe you were warned that questioning tradition would somehow ruin your magic.
Occult practice has an unfortunate habit of turning somebody's personal method into a universal law.
So, let's compare notes.
What witchcraft "rule" did you eventually break, and what happened when you did?
#Witchcraft #WitchesOfFacebook #Occultism #Magic #Magick #SCGWitchery
What is one piece of witchcraft advice you were taught early on that you eventually realized was completely wrong?
Maybe you were told every spell requires a specific moon phase.
Maybe somebody insisted there was only one "correct" way to cast a circle.
Maybe you were warned that questioning tradition would somehow ruin your magic.
Occult practice has an unfortunate habit of turning somebody's personal method into a universal law.
So, let's compare notes.
What witchcraft "rule" did you eventually break, and what happened when you did?
#Witchcraft #WitchesOfFacebook #Occultism #Magic #Magick #SCGWitchery
Not Every Spell Should Be Cast
One of the biggest differences between serious witchcraft and selling people what they want to hear is knowing when not to perform the work.
Sometimes the desired outcome is unrealistic. Sometimes the circumstances do not support the goal. Sometimes another form of work would make considerably more sense.
A professional spellcaster should be willing to tell you that.
At SCG Witchery, assessment matters because witchcraft should not begin with a guarantee. It should begin with understanding exactly what you are trying to accomplish, what stands in the way, and whether the proposed work is appropriate.
"No" can sometimes be the most honest answer a practitioner gives you.
What is one question you think everyone should ask before hiring a spellcaster?
#Witchcraft #Spellwork #SpellCaster #ProfessionalWitch #Occult #SCGWitchery
One of the biggest differences between serious witchcraft and selling people what they want to hear is knowing when not to perform the work.
Sometimes the desired outcome is unrealistic. Sometimes the circumstances do not support the goal. Sometimes another form of work would make considerably more sense.
A professional spellcaster should be willing to tell you that.
At SCG Witchery, assessment matters because witchcraft should not begin with a guarantee. It should begin with understanding exactly what you are trying to accomplish, what stands in the way, and whether the proposed work is appropriate.
"No" can sometimes be the most honest answer a practitioner gives you.
What is one question you think everyone should ask before hiring a spellcaster?
#Witchcraft #Spellwork #SpellCaster #ProfessionalWitch #Occult #SCGWitchery
Welcome to SCG Witchery | Witchcraft & Occult Community.
This belongs to Traditional Folk Magic (operative sorcery), using a Celtic mythic motif, but structured on universal magical mechanics.
It is definitely not Wicca. It lacks Wiccan liturgical framework (no "harm none," no Wiccan Rede, no dual god/goddess devotional polarity, and no ceremonial tool-worship).
The Engine (The Structure): Universal Operative Folk Magic.
The tripartite rhythm of Clear / Uncross -> Draw / Infuse -> Ward / Lock is the foundational blueprint found across historical conjure, European cunning craft, and ancient sorcery. It treats magic as direct, cause-and-effect mechanics: clear the void, occupy the void, bar the door.
The Skin (The Imagery & Mythos): Celtic / Gaelic Folkloric Mythos.
The first verse explicitly anchors to Irish mythology via the Dagda and his Lorg Mór (the Great Club that clears obstacles, slays, and revives). The language of stone, iron, ash, thresholds, and blood-and-bone pacts mirrors the visceral, earthy tone of Gaelic charms (like the Carmina Gadelica or ancient loricae), stripped of modern sugar-coating.
The Mindset: Sovereign Will & Animist Contract.
The tone is sovereign, practical, and non-supplicant. You are not begging a deity for mercy; you are aligning with a specific current, commanding your personal space, and setting physical and spiritual boundaries.
#folkmagic #witch #occult #witchcraft
This belongs to Traditional Folk Magic (operative sorcery), using a Celtic mythic motif, but structured on universal magical mechanics.
It is definitely not Wicca. It lacks Wiccan liturgical framework (no "harm none," no Wiccan Rede, no dual god/goddess devotional polarity, and no ceremonial tool-worship).
The Engine (The Structure): Universal Operative Folk Magic.
The tripartite rhythm of Clear / Uncross -> Draw / Infuse -> Ward / Lock is the foundational blueprint found across historical conjure, European cunning craft, and ancient sorcery. It treats magic as direct, cause-and-effect mechanics: clear the void, occupy the void, bar the door.
The Skin (The Imagery & Mythos): Celtic / Gaelic Folkloric Mythos.
The first verse explicitly anchors to Irish mythology via the Dagda and his Lorg Mór (the Great Club that clears obstacles, slays, and revives). The language of stone, iron, ash, thresholds, and blood-and-bone pacts mirrors the visceral, earthy tone of Gaelic charms (like the Carmina Gadelica or ancient loricae), stripped of modern sugar-coating.
The Mindset: Sovereign Will & Animist Contract.
The tone is sovereign, practical, and non-supplicant. You are not begging a deity for mercy; you are aligning with a specific current, commanding your personal space, and setting physical and spiritual boundaries.
#folkmagic #witch #occult #witchcraft